![]() I have the tuner propped up on top of my amp and it looks as great as it functions. The flip out stand on the back is also a great feature. I would recommend this over a standard guitar/bass tuner since it can detect pitches that fall outside the range of standard tuning since it is chromatic, and that means it suits alternate tunings. This is an amazing tuner that does what it's supposed to with no issues. the ga 50 is the standard tuner that korg recommends for every guitar or bass player. additional functions like memory backup and auto power off make the ga 50 the most reliable and fully featured compact guitar bass tuner on the market. the ga 50 also features a drastically improved battery life, allowing for 135 hours of use. tune by using high sensitivity built in microphone, or by plugging directly into the ga 50. with two distinct modes for guitar and bass, the ga 50 can easily detect standard and dropped tuning, as well as extended range instruments like 7 string guitars and 5 string basses. ![]() the lcd screen of the ga 50 has been enlarged to improve visibility, making it even easier to quickly and accurately check your tuning. long considered the standard in handheld tuners, the ga 50 offers simple and intuitive operation and a satisfying tuning experience for all guitarists and bassists. The korg ga 50 is a sleek and feature packed guitar bass tuner that s perfect for all around use. extended frequency range tunes all instruments. features: suitable for guitars, bass, violins, violas, and other stringed instruments. rotating a full 360 degrees and, like all snark tuners, the bright, colourful, easy-read, pin-sharp, high resolution lcd screen, is visible in bright stage lighting or in the glare of bright sunshine. now with an even longer extended battery life, you can be assured of hours of first-class performance over and over, gig after gig. the snark x tuner maintains the original flagship design that was first launched in 2010, and it has become the biggest selling-clip on tuner on the planet, uncompromised in performance. invented by charles goodyear, this is the same material used in car tyres, and is resistant to solvents and impervious to moderate heat and cold. ![]() now with fast and flawless tuning software for an even faster lightning speed response and pin-point, precision accuracy, the snark x tuner is extremely light, incredibly robust and, with hard vulcanised rubber collar joints, can handle all the rigours of hard touring. the snark x clip-on tuner has been specifically designed for guitars, bass and a multitude of stringed instruments including violins, violas and double basses. Suitable for guitars, bass, violins, violas, and other stringed instruments.
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Avoid distracting gestures such as fidgeting with a pen, glancing at papers, or tapping your feet or fingers.Sit or stand on the same level to avoid looking up to or down on the other person.Face the other person – don’t sit or stand sideways.Have an open, non-defensive, fairly relaxed posture with your arms and legs uncrossed.Lean towards the other person and make gestures to show interest and concern.Keep comfortable eye contact (where culturally appropriate).A good listener can encourage their partner to talk openly and honestly. Listening is a very important part of effective communication. Notice whether your body language reflects what you are saying. For example, saying ‘I love you’ to your partner in a flat, bored tone of voice, gives 2 very different messages. If our feelings don’t fit with our words, it is often the non-verbal communication that gets ‘heard’ and believed. These non-verbal means of communicating can tell the other person how we feel about them. Our body posture, tone of voice and the expressions on our face all convey a message. When we communicate, we can say a lot without speaking. If the issue you are having is not that important, try to let the issue go, or agree to disagree. negotiate and remember that you don’t have to be right all the time.share positive feelings with your partner, such as what you appreciate and admire about them, and how important they are to you.Put aside your own thoughts for the time being and try to understand their intentions, feelings, needs and wants (this is called empathy) accept responsibility for your own feelings.talk about what you want, need and feel – use ‘I’ statements such as ‘I need’, ‘I want’ and ‘I feel’.talk about what is happening and how it affects you.make your message clear, so that your partner hears it accurately and understands what you mean.be clear about what you want to communicate.set aside time to talk without interruption from other people or distractions like phones, computers or television.Double check your understanding of what your partner is saying. Communication will never be perfect all the time.īe clear when communicating with your partner, so that your message can be received and understood. Healthy communication styles require practice and hard work. Couples need to find a way of communicating that suits their relationship. It takes 2 people to have a relationship and each person has different communication needs and styles. We need to communicate clearly to avoid misunderstandings that may cause hurt, anger, resentment or confusion. No matter how well you know and love each other, you cannot read your partner’s mind. The act of communicating not only helps to meet your needs, but it also helps you to be connected in your relationship. In relationships, communication allows to you explain to someone else what you are experiencing and what your needs are. ![]() ![]() ![]() What is communication?īy definition, communication is the transfer of information from one place to another. We often hear how important communication is, but not what it is and how we can use good communication in our relationships. All relationships have ups and downs, but a healthy communication style can make it easier to deal with conflict and build a stronger and healthier partnership. Good communication is an important part of all relationships and is an essential part of any healthy partnership. ![]() Here’s a clip from an international match between Argentina and England in the 1995 Rugby World Cup. But that hasn’t stopped coaches from resurrecting the move from time to time. ![]() The flying wedge is also banned in rugby. However, there’s another sport where the tactic crops up every now and then. I can’t show you any television clips from American Football because the move was banned in the early 20 th century. It was common for players to have leather handles on their uniforms to tighten their grip. The players in the wedge didn’t just stand close to each other, they were tightly bound to each other. The entire mass of the wedge would drive into him at a full run. The entire wedge would aim itself at one player on the other team. The heavier players on the team would form up into a tight wedge, holding onto each other. The flying wedge was the ultimate mass motion play in the early days of football. The death rate drew the ire of reporters, college presidents, and a president of the United States.įinally, it was banned! But what was the flying wedge exactly? Let’s take a closer look. Then the rate of injuries and deaths became heavily scrutinized. First, it became immensely popular with fans. The flying wedge went through three phases in its history. The battering ram was violent but not as effective as another play: the flying wedge. His team would run down the field swinging him like a battering ram at the other team. Here’s one of the craziest: coaches would put a player in a leather straight jacket with handles. It was common in the sport to punch or choke a player to make him drop the ball.Īnd coaches devised some crazily violent tactics for attacking play. Rules changed continuously in response to innovations by players and coaches.Īnything that would give an advantage was tried. The sport was developing rapidly in the late 19 th and early 20 th centuries. Violent Tactics In Early American Football Violent Tactics In Early American Football. ![]() ![]() Was she an urban terrorist or vigilante? Has the procedure been her salvation or her destruction? Sarah starts a crazy battle for her life within the walls of her hospital-turned-prison when a procedure to eliminate her memory goes awry and she starts to remember snatches of her past. The Bourne Identity meets Divergent in this action-packed debut thriller with a Katniss-esque heroine fighting to regain her memories and stay alive, set against a dystopian hospital background. I received this audiobook as a gift and my review is my own. I thought the cover art was brilliant as well. She fleshes out the already amazing characters to a new height. She showed excellent vocal skills without overdoing it. America's New Wild West! Narration: Annika Conner was hands down the best reader for this audiobook. I love that the author is mingling names from the old west as well as from classics and pop culture and creating this fabulous weird world that's totally fun. I also liked the new kid in town named Balmy who is Stormy Wether's kid sister. ![]() The characters, mainly Kit Carson are relatable and likeable. Collison is thinking out of the box and giving us something very fun and enjoyable with an excellent storyline and well-rounded characters. ![]() I mean obviously, Meryl Streep is my one and only, and that was just beyond crazy to have her walk in and do a part.I Love the Saturday Night Knife and Gun ClubSeriesĪudiobook: Saturday Night Knife and Gun Club: America's New Wild West (Kit Carson's Knife and Gun Club, Book 2) I've listened to both audiobooks in this series and absolutely love it. Our producer, Austin Breslow at Broadway Video, I don’t know what he said but he said it and he’s very good. You’ve got a number of really famous people who’ve voiced parts for the show, like Meryl Streep and Tim Gunn and Peter Dinklage. So you really have to find creative ways of letting people know what’s happening. But you can’t rely on anyone’s facial expression or any visual cue about what anything looks like. There’s a ton of stuff that would just be really crazy to try to make happen visually. We could do anything we wanted without worrying how much it was going to cost to produce or make it look like that. How was writing for audio different from writing for television?ĭefinitely some distinct advantages and some distinct disadvantages. We just thought if we could combine that with the foibles of modern existence, then we could make something fun. We both grew up obsessed with Disney, and obsessed with fairy tales, and obsessed with Shelley Duvall’s “Faerie Tale Theatre.” We love fairy tales, and we love fantasy. I always wanted to do something about a Maleficent-style evil queen, who’s having a little bit of a crisis of conscience or wondering if she really wants to be in charge or not. So we wanted to hop on board this new thing that’s happening. I find that I can no longer sit in silence or walk anywhere in silence, which is actually a problem. How did you come up with the idea for “ Heads Will Roll”?īroadway Video was partnering with Audible, which I thought was very exciting, because we both are huge, insane podcast fanatics. ![]() registrarToken: This cookie is used to remember items that you have added to your shopping cart.JSESSIONID: This cookie is used by the application server to identify a unique user's session.We may update the information contained in this section from time to time. The list below identify the cookies we use and explain the purposes for which they are used. To find out more about cookies, including how to see what cookies have been set and how to manage and delete them please visit. Most web browsers allow some control of most cookies through the browser settings. The information these cookies collect may be anonymized and they cannot track your browsing activity on other websites. For instance, a functional cookie can be used to remember the items that you have placed in your shopping cart. 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